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Beyond being in the same class at Shermer High School in Shermer, Illinois, Claire Standish, Andrew Clark, John Bender, and Allison Reynolds have little in common, and with the exception of Claire and Andrew, do not associate with each other in school. In the simplest and in their own terms, Claire is a princess, Andrew an athlete, John a criminal, Brian a brain, and Allison a basket case. But one other thing they do have in common is a nine hour detention in the school library together on Saturday, March 24, 1984, under the direction of Mr. Vernon, supervising from his office across the hall. Each is required to write a minimum one thousand word essay during that time about who they think they are. At the beginning of those nine hours, each, if they were indeed planning on writing that essay, would probably write something close to what the world sees of them, and what they have been brainwashed into believing of themselves. But based on their adventures during that.

John Hughes was truly a magnificent writer for teenagers of the 80's. Even though a lot of people hated his previous works, it doesn't matter since many people have flaws in their career once in a while. Well, this is one of John Hughes's well-written classics: The Breakfast Club. It follows a group of teenage kids who have done something to get them to have detention on Saturday!(Bummer having to stay in that school on a weekend!) Sounds pretty simple huh? Well, later on the characters get to know each other thanks to the brilliant writing from John Hughes! Judd Nelson plays Bender who in the movie is called 'the Criminal' and is a straight up asshole but in a cool way. The lovely Molly Ringwald plays Claire who attempts to hide things from people kinda like bottling her emotions.

Plus there are other characters I wont get into. My favorite character is obviously Bender since he throws out the jokes which makes this movie funny.

Now, be warned! You may start tearing up because there are a lot of issues covered in this movie that relates to real life. The stories the characters tell are very poignant and moving and riveting. So don't be surprised if you start crying during the movie.

This is a brilliant John Hughes movie that launched his career next to Sixteen Candles(which is another good Hughes film). What makes this movie so great you say?

The way the characters develop is genius thanks to the magnificent directing! The jokes are CLEVER unlike so many other comedies *cough Meet the Spartans*. However, while this movie is great it does have some flaws. One is its a little too long for my taste and its tone is a little mixed up at times. Like is this supposed to be a comedy or a drama? But thats a minor thing for me since I can relate to this movie as a teenager next to Fast Times at Ridgemont High.

Plus, there are so many memorable quotes in this movie! Go see John Hughes's finest written film! Sincerely Yours, The Breakfast Club.

The announcement that The Breakfast Club would be joining the Criterion Collection was met with a kind of uproar -- either from fans (like me) enthusiastic about seeing John Hughes' seminal 1980s teen drama preserved and restored in 4K; or from film aesthete gatekeepers who somehow missed the Collection's easy-to-read mission statement. No matter: either way, the disk is here, and it's a beauty. Restored for Blu-ray under the supervision of Universal Pictures (director Hughes, of course, passed away in 2009), The Breakfast Club looks like most mainstream American films of the '80s: flatly lit, dingily grey, and coming at the tail end of the last era in which art direction and production design were intended to be invisible rather than attractors themselves.

(Look at that library: aside from being too impressive and enormous for the American public school system, it looks exactly like a library.) Hughes' camera is equally unobtrusive. Renowned for having shot some 1,000,000 feet of film for the 97-minute feature, Hughes finds key moments with his 7-person cast (5 teens; 2 adults) without ever seeming to be doing more than observing.

But we're not here for the look of the thing. Error this is not arc archive or this archive is corrupt. The Breakfast Club is a hallmark in the history of cinema, being both film that an entire generation of North American teenagers personally identified with, and a script that an entire generation of film students desperately tried to write themselves, over the next twenty years.

It's a perfect bottle scenario -- five teens from different social groups, stuck in all-day Saturday detention -- and if the film's third act, in which the kids open up to one another due to their shared confinement, whiffs of contrivance, it also allows the five lead actors (Anthony Michael Hall, Emilio Estevez, Molly Ringwald, Judd Nelson and Ally Sheedy) to put ball after ball over the far wall of the stadium in an uninterrupted string of performance home runs. Each character -- the brain, the jock, the prom queen, the dropout and the weirdo -- grapples with that quintessential teen conundrum: the desire to fit in by adhering to established molds; the resentment those prescribed personalities inevitably bring. ( My So-Called Life would build its entire premise off this idea, ten years later.) Rough edges notwithstanding, Hughes wrote the cinema's Catcher In The Rye, all dissociation and angst perfectly graded to the middle American white experience of the post-boomer, Ronald Reagan era. Like The Catcher In The Rye, too, The Breakfast Club manages to be both jarringly of its time, and paradoxically timeless. Certainly, in a 2018 context, a few things stick out.