Jul 19, 2018 - Discover how The Path of Least Resistance help you with changing a. In a very structural and systemic manner, Robert Fritz explains that.

× VitalSource eBook VitalSource Bookshelf gives you access to content when, where, and how you want. When you read an eBook on VitalSource Bookshelf, enjoy such features as: • Access online or offline, on mobile or desktop devices • Bookmarks, highlights and notes sync across all your devices • Smart study tools such as note sharing and subscription, review mode, and Microsoft OneNote integration • Search and navigate content across your entire Bookshelf library • Interactive notebook and read-aloud functionality • Look up additional information online by highlighting a word or phrase. The Path of Least Resistance: Learning to Become the Creative Force in Your Own Life, Revised and Expanded discusses how humans can find inspiration in their own lives to drive creative process. This book discusses that by understanding the concept of structure, we can reorder the structural make-up of our lives; this idea helps clear the way to the path of least resistance that will lead to the manifestation of our most deeply held desires. This text will be of great use to individuals who seek to use their own lives as the driving force of their creative process. Table of Contents.

The Creative Process, as defined by Robert Fritz in The Path of Least Resistance Basic Steps in the Creative Process (from The Path of Least Resistance by Robert Fritz) 1. Conceive of the result you want to create. If not by need, and not by the demands of the circumstances, and not by revelation, then how do you conceive of what you want? Simply by 'making up' the results. 66) The question 'What do I want?' Is really a question about results.

Perhaps a more precise way of asking that question is 'What result do I want to create?' 68) How clear do you need to be about the results you want? Clear enough that you would recognize the result if you had it. 124) A fundamental choice can provide the crucial difference in successfully making the shift from the reactive-responsive orientation to the orientation of the creative.

Without making the fundamental choice to be the predominant creative force in your life, you will merely be finding more sophisticated ways of responding to circumstances.On the other hand, once you make the fundamental choice to be the predominant creative force in your life, any approach you choose to take for your own growth and development can work, and you will be especially attracted to those approaches that will work particularly well for you. 193) • I choose to be the predominant creative force in my life. • I choose to be true to myself. • I choose to be healthy. • I choose to be free. Know what currently exists.

However wanted or unwanted your present circumstances may be, they function as needed feedback so that you can know the current status of the results you are creating. Antariksh ek amar katha all episodes download in zip file. 234) The pivotal technique in the creative orientation may help you use unwanted circumstances as a catalyst to help propel you toward where you want to be. • Describe where you are. • Describe where you want to be. • Once again, formally choose the results you want.

235) Step 4 of the pivotal technique leaves the structural tension unresolved. This is very desirable, because then you are able to assimilate structural tension more easily. The tension will be particularly helpful in generating natural processes in which the path of least resistance leads you directly toward the result. Alma tv ustj kamenogorsk programma peredach.

When you make a choice, take two steps: • conceive of the results you want, that is, have a clear vision of what you want to create. • formalize the choice by actually saying the words, 'I choose to have.' 175) When you make a formal choice, you activate the seeds of germination.

You align all the energies at your disposal and set them in motion toward your choice.Choices about results have power. Learn the rhythms of the creative process. Creators have a higher ability to tolerate discrepancy than most others.When you create you become a player of forces such as contrasts, opposites, similarities, differences, time, balance, and so on.to the creator, all of the forces in play are useful. If there is more discrepancy, there is more force to work with. If there is less discrepancy, there is more momentum as you move toward the final creation of the result.The discrepancy between what you want and what you currently have forms the most important structure in the creative process, that of structural tension. 116) Receiving is an incoming action.